This was for a little zine the crew at Bitch magazine made together called Bitchlet. I love the word for ‘bitch’ in Russian—Suka—so I thought it would be fun to find out what it is in other languages. Please note the disclaimer at the bottom.

Came across this while doing some organizing. We had a lot of fun on the shoot for the Bitch magazine ‘Consumed’ issue.

The photo is by Jeff Walls. Styling as well as the book and pills were made by me, the adorable cupcake was made by Andi Zeisler and the chair was on loan from Matt Pierce (Whoops! I gotta get that back to him!).

My vintner friends, Gillian and Gareth are selling their very first wine—Prism! The wine will sell on tap—at a brewpub in their home country of New Zealand. I’m excited to have designed the tap label, which was very much a collaboration with the couple.

Below, are some of the variations and other concepts for Prism. I don’t often get to work with rainbows, and as you can see, I relished the opportunity.

Here’s a toast to their new endeavor! I eagerly anticipate the development of their wine business and hope to join them along the way. Cheers!

These editions include tell-tale 60s type with a varied baseline, fold-out maps illustrated by Tolkien, and an a lovely little slip case.

Naturally, Mary would have a tape measure with lovely type.

Here’s a what the show’s all about:

What is a weed? A plant whose virtues have not yet been discovered. —Ralph Waldo Emerson

A kernel of corn is a food source for a field mouse, which is a food source for a snake, which is a food source for a fox, which is a food source for a wolf. All organisms seem to have a place, however small, in this connected system. But sometimes, as evolution happens, and accidental migrations occur, that meaning or connection can be lost.

Sometimes, these itinerant traveling species can wreak havoc on their new home by throwing off the balance of a delicate ecosystem. In the Western US, inedible Medusahead, originally from the Mediterranean region, is spreading at a rate of about 12% per year, overtaking native grasslands. This means less food for wild animals and livestock. The Australian Government claims “weeds cost Australian farmers around $1.5 billion a year in weed control activities and a further $2.5 billion a year in lost agricultural production.” And some plants that were once of great use, like Ground-elder brought to Britain by Romans for use as a pot-herb to relieve gout — were passed over by medical developments, rendering the plant useless and making it “the most…detested weed in the nation’s flowerbeds.”

But what about those species that exist in their new home peacefully without causing harm? Or what about those who are actually pleasant — helpful even? For many, these ‘plant[s] in the wrong place’ have healing properties. They aid in everything from digestion to pain relief and can be healthy additions to diet for their ample nutrients. For others, like Shakespeare and Northern Renaissance artist, Albrecht Durer, they have served as objects of inspiration or metaphor for use in their works. Weeds have also been known to function as litmus tests for the existence of metals in soil. And they can serve as habitat for many of the beneficial insects in the ecosystem and repellent for unwanted insects. Now that’s a lot of utility!

The work in this show explores the unwanted flora of the Portland backyard and their unique beauty and resilience. Taken out of context, away from their more popular and classically beautiful relatives in the garden, we get a chance to appreciate their form and heartiness. Perhaps the next time we see one sprouting up through a crack or hiding under the cover of an intentionally planted and tended bush, perhaps we’ll rethink our impression and relationship with these common weeds.